Released in 2024 and directed by Edward Berger, Conclave is a political thriller based on the 2016 novel of the same name, by Robert Harris. The film stars Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. This review is intended to be free of spoilers, but none of us are perfect. No review copy was provided.
Edward Berger’s Conclave was already a gripping political thriller, but in light of Pope Francis’ recent passing. and his funeral today, the film has taken on a certain level of cultural resonance. Based on Robert Harris’ novel of the same name, the movie offers a fascinating glimpse into the secretive process of selecting a new pope, blending historical accuracy with dramatic tension.
The film follows Cardinal Thomas Lawrence, played masterfully by Ralph Fiennes, as he is tasked with overseeing the conclave to elect the next pope. What begins as a solemn duty quickly spirals into a web of intrigue, as Lawrence uncovers shocking secrets about the leading candidates. The four frontrunners – Cardinal Bellini (Stanley Tucci), Cardinal Tremblay (John Lithgow), Cardinal Adeyemi (Lucian Msamati), and Cardinal Tedesco (Sergio Castellitto) – each represent different ideological factions within the Church, leading to intense political maneuvering. However, the arrival of a mysterious latecomer, Cardinal Vincent Benitez, throws the entire process into chaos. The film expertly balances suspense and drama, keeping audiences on edge as alliances shift and revelations unfold.
Visually, Conclave is nothing short of stunning. Stéphane Fontaine’s cinematography captures the grandeur and solemnity of the Vatican with breathtaking precision. The use of natural lighting and shadow enhances the film’s atmosphere, creating a sense of both reverence and unease. The tight framing of characters during pivotal moments heightens the tension, making the audience feel the weight of each decision. The Sistine Chapel sequences, in particular, are beautifully shot, immersing viewers in the sacred ritual while subtly emphasising the underlying power struggles.
At the heart of Conclave is a trio of powerhouse performances. Ralph Fiennes, as the conflicted Cardinal Lawrence, delivers a masterclass in restrained intensity, portraying a man caught between duty and personal revelation. This might even rival his performance in The Menu. Stanley Tucci, as the progressive Cardinal Bellini, brings his signature charisma and depth, making every scene he’s in utterly compelling. I could listen to that man mutter for days. And John Lithgow, as the enigmatic Cardinal Tremblay, adds layers of intrigue, balancing wisdom with quiet authority. Their performances elevate the film beyond a mere political drama into something truly profound.
I adored this film, and I did from the get-go. It starts with a powerful scene in the room of the deceased pontiff before quickly jumping ahead to the eve of the conclave. Characters are quickly but effectively introduced, and we’re soon dropped right into the intrigue. The political aspects of this film are perfect, and the self-contained setting of the Conclave makes for such a high-pressure environment. Fantastic!
The film’s relevance has skyrocketed following Pope Francis’ passing, with viewership surging by several hundred percent. As the world watches the Vatican prepare for a real-life conclave, Conclave serves as both a gripping thriller and a timely reflection on power, faith, and the weight of tradition. Whether you’re drawn to its stellar performances or its eerie prescience, this is a film that I have to whole-heartedly recommend.
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